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Wyrmwood – Toronto After Dark 2014


WyrmwoodIn a post-apocalyptic Australia, a virus has turned nearly the entire population into bloodthirsty zombies.  Barry () is one of a handful of survivors, which also includes Benny () and Frank (), who are immune to the virus and struggle for survival.  In the meanwhile, Barry’s sister Brooke () has been kidnapped by a team of gasmask-wearing soldiers and is subjected to a number of experimentations by a mad scientist.  Barry, Benny, and Frank travel across the Australian landscape, in their zombie-fuelled truck, in the hopes of finding and rescuing  Brooke. is a post-apocalyptic zombie film, described as Mad Max meets Dawn of the Dead.  This description apparent right from the start of the film, which gets right into the action as Barry, Benny, and Frank in full armour fight off a horde of zombies.  However, Wyrmwood turns out to be much more than that, which includes having a twisted sense of humour, including the sight of a mad scientist in a hazmat suit dancing to KC and the Sunshine Band, while performing his grisly experimentations. While Wyrmwood features many of the basic tropes of zombie films, it also creates a new set of rules.  One of these involves how the zombies exhale a flammable green gas, which happens to work pretty well as a combustible fuel source.  The film also features an interesting twist on the “slow zombie vs. fast zombie” debate.  Much more of an action film than horror, Wyrmwood features some great action set pieces with plenty of bloody violence. The standout of the cast is Bianca Bradey as Brooke, who is involved with what is probably one of the best sequences in the film. Altogether, Wyrmwood is fun action-packed post-apocalyptic zombie mayhem. 9 | REALLY LIKED IT

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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