The Vigil
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The Vigil – TIFF19


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An orthodox Jewish man of lapsed faith is asked to watch over the body of a recently deceased Holocaust survivor in . Yakov Ronen (Dave Davis) is a member of Brooklyn’s Hassidic “Boro” Park neighbourhood, who lost his faith after the tragic death of his brother. Following a support group meeting, Yakov is approached by rabbi Reb Shulem (Menashe Lustig) to be a last-minute shomer for recently deceased Holocaust survivor Rubin Litvak (Ronald Cohen), while his widow Mrs. Livak () sleeps. As he starts his five-hour vigil over the body, Yakov finds himself tormented by a demonic presence.

With The Vigil, first-time writer/director Keith Thomas has created a supernatural horror film that is steeped in the Orthodox Jewish faith. At the core of the plot is the ancient Jewish ritual of The Vigil, where a shomer is assigned to watch over and protect the soul of a recently deceased body. During his vigil, Yakov discovers that Mr. Litvak spent most of his life researching the Jewish demon, known as the Mazzik, which attaches itself to individuals and torments them with memories from their past.

The Vigil

Since many supernatural horror films involving demons are based on the faith, I have to say that I found the fact that The Vigil is based entirely around Orthodox Jewish beliefs to be quite interesting. While a few films have already featured the Jewish demon Dybbuk, such as 2015’s Demon, The Vigil familiarizes us with the mythology behind the Mazzik, grotesquely depicted in the film as a monstrous man, with his head twisted backwards. Not only is The Vigil quite possibly one of the most Jewish horror films you’ll see, but it does deliver on the scares as well, including a couple of really good ones.

TIFF19 screenings of The Vigil

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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