Polaris

Polaris – Fantasia 2022

Fantasia 2022

July 14 to August 3, 2022

Film Info


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A young girl raised by a polar bear in a frozen post-apocalyptic world has to escape from a band of marauders in . It is the year 2144 an Sumi () is a young girl who roams the snowbound wasteland with her polar bear mother Mula. However, Sumi is separated from Mula following attack from an all-female group of marauders knowns as Morads. Sumi has to fight for survival and find her way back to Mula, finding help along the from elderly scavenger Dee () and a reanimated Frozen Girl ().

Polaris is a snowbound post-apocalyptic fantasy film written and directed by K.C. Carthew. With a plot that’s best described as a mix between George Miller’s Mad Max films and ‘s Atanarjuat: The Fast Runner, the plot of Polaris is built nearly entirely around the performance of Korean-Canadian child actor Viva Lee, who plays the film’s performance a Sumi, a girl with some vague magical abilities, who is following the titular north star Polaris, in order to be reunited with her polar bear mother. Along the way, Sumi faces some threats in the form of the Morads, while also gaining some companions in the form of Dee and the Frozen Girl.

Featuring practically no dialogue, save for a few unsubtitled phrases of the Morad language created for the film, Polaris is a film that is quite dependent of visual storytelling. However, K.C. Carthew does a solid job at making the plot of Polaris easy to understand, despite the lack of dialogue. This is in no small part due to the lead performance by Viva Lee, who is the major driving force behind Polaris, who helps to guide the audience through this blood post-apocalyptic adventure from start to finish.

Trailer for Polaris – Fantasia 2022

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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