Interviewing Director Kim Albright About With Love and a Major Organ.

Interview With Love and a Major Organ (Podcast Cover)
Sean Kelly on Movies Interviews Podcast
Interviewing Director Kim Albright About With Love and a Major Organ.
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With Love and A Major Organ is the debut feature film from director Kim Albright. The film is written by Julia Lederer, based on her stage play, and is set in a world where hearts are made of inanimate objects and people suppress emotions to escape into technology, the story shares the travails of a vibrant young woman deftly played by (Violation), who rips out her heart for the man she loves, played to mild-mannered perfection by (Transplant) who promptly disappears with it. I spoke to director Kim Albright via Zoom to discuss , which is now playing in limited release in Canada.

With Love and a Major Organ Timecodes

00:00 Introduction

00:16 How Did With Love and a Major Organ Come About?

01:50 How Does With Love and a Major Organ Differ from the Play?

03:15 Depicting Hearts as Everyday Objects

04:34 What With Love and a Major Organ Says About Lack of Interpersonal Connections

06:30 The Casting of With Love and a Major Organ

10:23 Anabel and George’s Character Trajectories in With Love and a Major Organ

13:16 The Ultimate Message of With Love and a Major Organ

14:40 Conclusion

Music Attributions

Big Horns Intro by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Artist: http://audionautix.com/

Interviewing Director Kim Albright About With Love and a Major Organ. Video Verson

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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