Crocodile Eyes Canadian Film Fest

Crocodile Eyes – Canadian Film Fest 2025

Canadian Film Fest 2025

March 24 to March 29, 2025

Film Info

FILM FESTIVAL
Canadian Film Fest Canadian Film Fest 2025


DIY queen creates a docu-dogme film about her own family in . Ruby (Ingrid Veninger) sets out to capture 100 real moments. These include bonding with her granddaughter, four-year-old Freya (), and her daughter Sara (), grappling with the challenges of motherhood. After the death of her father, Dedo (Frank Veninger), Ruby goes on a trip with her mother, Baba () and son, Jake (), to scatter his ashes.

Crocodile Eyes Synopsis

Crocodile Eyes is the eighth feature film from writer/director Ingrid Veninger (He Hated Pidgeons, Porcupine Lake, The World or Nothing). The film is a docu-dogme narrative, which sees Veninger and her family reprise the semi-fictional versions of themselves from 2011’s I Am a Good Person/I Am a Bad Person. Veninger’s character of Ruby, not named within the film, sets out to capture 100 real moments while also questioning what makes a moment real.

crocodile eyes

My Thoughts on Crocodile Eyes

While not the first time she has incorporated elements from her life and her family in her films, Crocodile Eyes is arguably the most personal and intimate of Ingrid Veninger’s films. This includes capturing life and death as she, non-graphically, films the birth of her second grandchild, contrasted with an earlier grainy 1995 video of her son Jake’s birth, and Veninger is also there to capture her father’s final breath. However, the true joy of Crocodile Eyes comes from Veninger’s interactions with her granddaughter, who is responsible for the cute moment that forms the film’s title. Altogether, Crocodile Eyes is an affecting family portrait. Just beware of the “Placenta in the Kitchen” moment.

Trailer for Crocodile Eyes – Canadian Film Fest 2025

61d8717dbd737f197e83017f9202a5ce?s=96&r=pg

Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

Affiliate Ad