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Late Night Double Feature


LNDFIt is horror mayhem on basic cable in the anthology film .  Following the nightly news, viewers of TV13 in Peterborough are treated to Dr. Nasty’s Cavalcade of Horror, where Dr. Nasty () and his assistant Nurse Nasty (Jamie Elizabeth Sampson) present a double bill of terror. In the first film Dinner for Monsters, a chef () is brought in to cook a meal for a group of six.  However, he is shocked by the main ingredient.  Then in Slit, a man named Brad () is hired by people to cut into them.  However, he gets more than he bargained for with his latest client. Late Night Double Feature is a horror anthology that takes the form of a late night cable access program.  The film goes the whole nine yards with this premise, with the film beginning with a news broadcast and featuring trailers and commercials in between the films.  This results in Late Night Double Feature being easily compared to Grindhouse, even though the two “features” are merely short films.  The framing story of Dr. Nasty’s Cavalcade of Horror actually evolves into a third story, involving how dissatisfied Nurse Nasty (aka Samantha) is with her treatment on the program. Late Night Double Feature makes the somewhat bold move of shifting the tone between the two central features from darky humorous to just plain dark and disturbing. In fact, the second feature Slit can almost be described as torture porn in some ways and, while it would make one hell of a stand alone short, it sort of clashes with the tone of the rest of the film.  Altogether, while the film does not have a perfect execution, Late Night Double Feature still has a great premise and is worth checking out by horror fans. ★ ★ ★ 1/2 | FAIR 

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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