ManUnderground
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Man Underground


ManUnderground

A conspiracy theorist sets out to make a movie about his encounters with aliens in . Willem Koda () is a UFO conspiracy theorist, who lives a reclusive lifestyle and spends his free time being a featured speaker at sparsely attended UFO conventions. At the suggestion of his friend (), Willem decides to make a film about his apparent encounter with aliens many years before, hiring waitress Flossie () to play Willem’s ex-wife Tessa. However, as Willem becomes increasingly paranoid, those around him start to question his sanity.

Man Underground is an alien conspiracy film done in a somewhat mumblecore style. Willem is a heavily disheveled and socially awkward man, who adamantly believes that he encountered aliens while working as a geologist. Wanting the truth to get out, Willem agrees to Todd’s suggestion to make a movie about his experiences, since “fiction can make facts more digestible.” However, Willem soon begins to believe that he is in danger, which results in a growing sense a paranoia.

Man Underground is a film that purposely keeps it ambiguous whether Willem is a delusional crackpot or if there is some level of truth to his alien conspiracies. Man Underground is much more a character film, with the bulk of the story focusing on the three leads of Willem, Todd, and Flossie. Flossie is the true outsider of the trio, who starts off being fascinated by Willem, but starts to become a bit freaked out at the level of his paranoia. Altogether, Man Underground is a fine low key alien conspiracy film.

7 / 10 stars
7 9  FAIR  

Screenings:

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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