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Phantom of Winnipeg


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The unexpected cult success of Phantom of the Paradise in Winnipeg is explored in . In 1974, released his rock opera Phantom of the Paradise, starring William Finley, , and , which was an undisputed box office bomb. However, this fact was lost on the population of Winnipeg, Manitoba, who would pack into the local downtown cinema to see the film multiple times over. 45 years later, a selection of Winnipegers share their memories of seeing the film and how they have since organized events commemorating the cult fandom of this film.

In Phantom of Winnipeg, co-directors Malcolm Ingram and Sean Stanley try to find out why Phantom of the Paradise was such a cult hit in Winnipeg. Brian De Palma’s 1974 rock opera pre-dated The Rocky Horror Picture Show by a year, but ended up quickly being forgotten, save for its very dedicated fanbase in Winnipeg. Phantom of Winnipeg features interviews with these fans, many of whom went on to organize tribute screenings. The film also features interviews with some of the surviving cast members, such as Paul Williams and , while also featuring the opinions of filmmaker , who set his 2014 film Tusk in Winnipeg.

Phantom of Winnipeg

While Phantom of Winnipeg is more about the cult fandom Phantom of the Paradise than the film itself, the documentary also works somewhat as a primer for those unfamiliar with the film. That said, the film would seem more complete if the filmmakers tried to get Brian De Palma’s opinion on Phantom of the Paradise‘s cult success, since the documentary includes pretty much everyone else involved with the film. However, that’s just me nitpicking about an otherwise decent documentary about cult fandom.

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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