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Elephant’s Dream


elephants_dream The stories of public service workers in the Congo are told in .  Kinshasa, the capital city of the the Democratic Republic of Congo (DRC), is in a state of rebuilding, following a lengthy civil war.  Elephant’s Dream follows post office worker Henriette, train station guard Simon, and the city’s only fire brigade as they adapt to these changing times.

One of the main goals of Elephant’s Dream is to provide a depiction of the DRC that is devoid of the stories of violence, rape, rebels and crime that are usually associated with the country.  However, at the same time, the film isn’t entirely that optimistic either.  Instead, the film shows the middle ground of life in the Congo, as public service workers adapt to the slow privatisation of the State-owned institutions they work at.  Of the three central subjects, it is Henriette at the post office who arguably gets the most attention.  She slowly moves up the ranks at the office, yet still has to contend with issues, such as not getting paid.  Also memorable is train station guard Simon and his friendship with colleague Nzai. Elephant’s Dream uses an observational format to show these three intercutting stories, with little to no context.  In some ways, this is to the film’s detriment, since those unfamiliar with the history of the DRC might not fully grasp what the film is trying to say.  However, even without the proper context, Elephant’s Dream is still a somewhat interesting look at these public service workers, who are at a crossroads of their careers.  Despite a less than ideal environment, these individuals will refuse to give up, until they see the fruits of their perseverance. ★ ★ ★ 1/2 | FAIR  Screenings:

  • Thu, Apr 30, 5:00 PM – Scotiabank Theatre 8
  • Sat, May 2, 7:00 PM – Scotiabank Theatre 10

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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