TIFF 2023 Review NAGA

NAGA – TIFF 2023

TIFF 2023

September 7 to September 17, 2023

Film Info

Content Advisory: Animal cruelty or animal death

FILM FESTIVAL
TIFF TIFF23

PROGRAMME
Midnight Madness


naga poster

A young woman stranded in the desert has to make it out in time to be picked up by her strict father in . Sarah () is a young Saudi woman dropped off at the market in Riyadh, who is given strict instructions by her father () to be ready for pickup at 9:59 PM. However, the trip to the market is a ruse and Sarah instead goes off with her boyfriend Saad () to an exclusive party at a camp in the middle of the desert. However, things go awry and Sarah finds herself stranded with very little time to make it back to the city.

NAGA Synopsis

NAGA is a Saudi Arabian thriller and the feature film debut from writer and director Meshal Al Jaser. The film kicks off with a violent 1970 prologue, which shows what may happen if Sarah’s father finds out she disobeyed him. The film counts down from its 1 p.m. start to Sarah’s 10 p.m. curfew. At one point Sarah blacks out from drugs she has taken, resulting in her waking up in a trunk of the car in the middle of the desert. After a very suspenseful moment involving a rabid camel, the chronology rewinds to show exactly how Sarah ended up in this predicament.

My Thoughts on NAGA

While more a race-against-the-clock thriller than a horror film, NAGA is a film featuring one of the most well-crafted scenes of suspense I have seen. Director Meshal Al Jaser takes advantage of extremely low lighting in the middle of the desert to make an encounter with a rabid camel a truly frightening experience. Other threats on Sarah’s journey home include a gang of ATV-driving thugs and her own trigger-happy father. Also, NAGA ends with probably one of the most cathartic, yet disgusting of moments.

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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