Pelikan Blue Hot Docs 2024

Pelikan Blue

Hot Docs 2024

April 25 to May 5, 2024

Film Info

FILM FESTIVAL
Hot Docs Hot Docs 2024

PROGRAMME
Big Ideas The Changing Face of Europe


Pelikan Blue Poster

Animated reenactments are used to tell the story of a train ticket forgery operation in 1990s Budapest in . Ákos (), Petya (), and Laci () are three friends in 1990s Budapest, who share a goal of wanting to travel, despite being unable to afford the expensive train tickets. The three figure out how to bleach and forge the tickets to travel to any European destination they desire. When word gets out, the friends enlist the help of Rozi () to create a large-scale forgery operation.

Pelikan Blue Synopsis

Pelikan Blue is a hybrid of documentary and animated reenactments, with the occasional Super-8 shot live-action cutaway, written and directed by László Csáki, based on 40 hours of interviews with forgers, travellers, police, and railway employees recorded between 2011 and 2021. These interviews form the basis for what is essentially a fictionalized recreation of the events. The key element of this forgery operation is the titular Pelikan Blue brand of carbon paper, which was the only colour able to be erased with a concentration of Domestos brand bleach.

Pelikan Blue still 1 MAIN scaled

My Thoughts on Pelikan Blue

Originally intended to be a fictionalized narrative film Pelikan Blue greatly benefits from the use of archival interviews, from which the story is built. The use of animation allows the film to play with genre, such as a horror movie sequence involving the highly suspicious ticket inspector nicknamed “The Clown.” Altogether, Pelikan Blue is an incredibly entertaining depiction of this 1990s ticket forgery operation.

Trailer for Pelikan Blue

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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