The Artifice Girl

The Artifice Girl – Fantasia 2022

Fantasia 2022

July 14 to August 3, 2022

Film Info

Content Advisory: Child abuse/pedophilia


The Artifice Girl Poster

An online vigilante create an advanced artificial intelligence to track down online predators. Gareth () is a software developer and former VFX technician who is brought in for questioning by agents Dena Helms () and Amos McCullough (), due to them finding photos of a young girl named Cherry () on Gareth’s hard drive. However, Gareth reveals to them them that Cherry isn’t real, but instead an A.I. program he designed to help entrap online predators. As the years progressive, Cherry’s intelligence begins to exceed that of humans, which raises questions about her autonomy.

is the feature film debut for writer/director Franklin Ritch, who also co-stars as Gareth, the software designer who created the advanced A.I. Cherry, played excellently by child actor Tatum Matthews. The story of the film is told in three extended scenes, with each chapter having a sizeable time jump, ending with an elderly Gareth () having a final conversation with Cherry, 50 years after her creation.

While The Artifice Girl is a dialogue-heavy film that’s almost akin to a play, the subject matter of the film is fascinating, as Cherry becomes more human than human over the years, leading to ethical questions surrounding the fact that she was created solely to entrap online predators. While technically still science fiction, recent documentaries such as last year’s A.rtificial I.mmortality, suggests that advanced artificial intelligence isn’t as far off as it once was. Altogether, The Artifice Girl is a quite solid debut for Franklin Ritch, which will leaving you wondering what exactly it means to be human. 

Trailer for The Artifice Girl – Fantasia 2022

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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