TIFF 2023 Review The Boy and the Heron

The Boy and the Heron – TIFF 2023

TIFF 2023

September 7 to September 17, 2023

Film Info

FILM FESTIVAL
TIFF TIFF23

PROGRAMME
Gala Presentations


the boy and the heron poster jpg

A teenage boy is guided by a grey heron to search for his missing stepmother in . After previously losing his mother to a fire, Mahito Maki () travels to the countryside with his father Shoichi () to live with Shoichi’s pregnant fiance (). Mahito encounters a strange Grey Heron (), who ends up guiding Mahito into a strange mirror universe near a tower on the search for Natsuko, who goes missing one day.

The Boy and the Heron Synopsis

After supposedly retiring a decade ago with The Wind Rises, Hayao Miyazaki returns to write and direct this new animated adventure. Initially intended as an adaptation of Genzaburo Yoshino’s novel How Do You Live?, The Boy and the Heron ends up being a quite magic story reminiscent of Miyazaki’s Oscar-winning 2001 film Spirited Away. This includes characters such as the titular Heron, whose true form is that of a big-nosed goblin, the fire-manipulating Himi (), and a gang of cannibalistic parakeets led by their king ().

My Thoughts on The Boy and the Heron

Hayao Miyazaki has always been the heart and soul of the Studio Ghibli animation studio and The Boy and the Heron is a reminder of the magical worlds Miyazaki is able to create through his animation. While arguably 2013’s The Wind Rises made for a better swan song for Miyazaki, who at 83 shows no signs now of permanently retiring, The Boy and the Heron ends up being a great addition to a filmography that now spans over four decades in length.

Trailer for The Boy and the Heron – TIFF 2023

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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