The Breach

The Breach – Blood in the Snow 2022

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November 21 to November 26, 2022

Film Info

Content Advisory: Animal cruelty or animal death, Excessive or gratuitous violence


The Breach Poster

A small-town police officer’s last case has him investigating a gruesome murder in . John Hawkins () is the police chief of the tiny town of Lone Crow, who takes one last case before transferring to the big city when a canoe carrying the grisly remains of local scientist Cole Parsons ( Kenneth Wilson) washes up to shore. Along with fellow officer Jacob Redgrave (), Hawkins enlists the help of Meg Fullbright (), who previously chartered a boat to Parsons), to get to the scientist’s isolated house to look for answers. At his home, they find Cole’s estranged wife, Linda Parsons (), along with a machine in the attic he has been using to conduct horrifying experiments.

The Breach is the sophomore feature film directed by Rue Morgue magazine founder and publisher Rodrigo Gudiño (The Last Will and Testament of Rosalind Leigh), based on the Audible Original Audiobook of the same name by Nick Cutter. The film is also Executive Produced by Slash of Guns ‘N Roses, who also composed the film’s score. The Breach is a cosmic horror story where a murder investigation unveils a particle physicist’s gruesome experiments.

The Breach is a film that features a similar level of Lovecraftian body horror found in 2016’s The Void. However, director Rodrigo Gudiño opts for a slower build, waiting until the climax for the grotesque results of Cole Parson’s experiments to unveil themselves. Besides some exposition-heavy Skype calls with conspiracy theorist Alex (RUSH’s ), The Breach doesn’t fully explain what these experiments entail. However, The Breach still has its moments, particularly in the gory climax.

Trailer for The Breach – Blood in the Snow 2022

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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