Gundala
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Gundala – TIFF19


[imdb title=”aka” style=”white”]tt8237172[/imdb]

The popular Indonesia superhero hits the big screen in . Sancaka (Abimana Aryasatya) is a man who found himself alone as a child, after the death of his father and the disappearance of his mother. Working as a security guard, Sancaka discovers that he gains super-strength when his struck by lightning. When the disfigured crime boss Pengkor () launched a scheme to create a generation of immoral children, Sancaka adopts the costumed persona of Gundala to fight off Pengkor’s legion of orphan assassins.

Written for the screen and directed by (Satan’s Slaves), Gundala is the first in a new series of films based on the superheroes from Indonesia’s Bumi Langit comics. Structured like a typical superhero origin tale, the film begins with Sancaka’s life as a child (played by ), who finds himself all alone on the streets of Jakarta, though he has a brief encounter with a young man named Awang, who teaches Sancaka martial arts, to help fend for himself. As an adult, Sancaka learns to harness a power he has had all his life and becomes the superhero Gundala.

Gundala

As a standalone film, I would say that Gundala is a somewhat decent action film, with well-choreographed martial art fight scenes, a couple of which feature a cameo by The Raid‘s as one of Pengkor’s orphan assassins. However, I did not really find myself caring all that much for the universe building, which includes hints of future villains and heroes. While it’s unknown if I’ll see any future films from this Bumi Langit Cinematic Universe, I will still say that Gundala is still a fine enough superhero martial arts film.

TIFF19 screening of Gundala

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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