The Last Porno Show
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The Last Porno Show – TIFF19


[imdb style=”white”]tt8461156[/imdb]

An aspiring method actor inherits his estranged father’s porno theatre in . Wayne () is a struggling actor, who discovers with much apathy that his estranged father Al ( Aldo) has passed away and has left Wayne his rundown porno theatre. Initially set on quickly selling off the theatre, Wayne becomes acquainted with Al’s business partner Ralf () and ex-lover Julia (Mickey Skin), which causes repressed memories from Wayne’s childhood to surface. When a prospective film role requires unsimulated sex scenes with his co-star Ashley (), Wayne decides to reopen the theatre in order to try to live in his father’s shoes and get into the right headspace for his character.

The Last Porno Show is a dark comedy from writer/director Kire Paputts (The Rainbow Kid), which follows a struggling method actor trying to get into the headspace of his late father. Thanks to his acting classes, taught by a cameoing Frank D’Angelo, Wayne decides to revisit the traumatic memories of his childhood to develop a character for a sleazy new film role. However, it isn’t long until Wayne’s journey into the adult cinema business turns into a full-on obsession.

The Last Porno Show

From the opening moments of The Last Porno Show, it becomes very apparent that Kire Paputts has made a dark comedy that isn’t afraid to explore the seedy pornography world in explicit detail. While the film is quite uncomfortable to watch at times, particularly in the latter half, I would say that The Last Porno Show is ultimately about a man trying to reconcile his issues about his father. While the explicit sexual content doesn’t make this a film for everyone, The Last Porno Show still overall makes for an interesting character study.

TIFF19 screenings of The Last Porno Show

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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