Violence Blood in the Snow 2025
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Violence – Blood in the Snow 2025

BITS2025

November 17 to November 22, 2025

Film Info

CONTENT ADVISORY - May Contain Plot Spoilers
Rape and Sexual Assault, Self-injurious behavior, Excessive or gratuitous violence, Needles or drug addiction

FILM FESTIVAL
Blood in the Snow Blood in the Snow 2025

AWARDS
Best Music Score in a Feature Best Supporting Acting Performance in a Feature


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A former drug pusher tries to save his junkie girlfriend in Violence. In an alternate 1980s, a city is under the control of drug kingpin Jimmy Jazz (). After Jimmy’s stash of “red powder” is stolen by straight-edge vigilantes, Rocket () and Bats (), Jimmy’s former dealer, Henry Violence (), is brought in by Dead Ramone () as a possible suspect. However, Violence has just returned to town to save his junkie girlfriend Charlotte Cola (), but he promises Jimmy to make things right before the night is through.

Violence Synopsis

Violence is a gritty crime thriller and the debut feature from co-writer and director Connor Marsden. Rohan Campbell (Halloween Ends) stars as the titular Henry Violence, a former punk rocker and drug dealer, who has returned to the city to save his girlfriend Charlotte Cola, who is still heavily addicted to the red powder dealt by Violence’s former boss Jimmy Jazz, played by Joris Jarsky (Out Come the Wolves). Violence ends up crossing paths with Charlie Rocket, played by Maddie Hasson (Bone Lake, Malignant), and Bats, played by Tomaso Sanelli (Thanksgiving), who are part of a straight-edge vigilante group aiming to bring down Jimmy Jazz.

Violence scaled

My Thoughts on Violence

With Violence, first-time director Connor Marsden transforms Sudbury, Ontario, into a gritty alternate 1980s city straight out of John Carpenter’s Escape from New York. That film and Walter Hill’s Streets of Fire are arguably the biggest influences, with atmospheric production design and a techno-punk score by Nowhere2run. However, Violence does end up being a slog at times, with the single-night narrative featuring too many expositionary flashbacks, and the film’s hyperviolent climax ends on a major anti-climactic note.

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Sean Patrick Kelly

Sean Patrick Kelly is a self-described über-geek, who has been an avid film lover for all his life. He graduated from York University in 2010 with an honours B.A. in Cinema and Media Studies and he likes to believe he knows what he’s talking about when he writes about film (despite occasionally going on pointless rants).

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