Witchboard Fantasia 2024

Witchboard – Fantasia 2024

Fantasia 2024

July 18 to August 4, 2024

Film Info

FILM FESTIVAL
Fantasia 2024 Fantasia Film Festival

PROGRAMME
Selection


A group of friends opening a restaurant in New Orleans unearth an ancient pendulum board in . Emily () and her fiance () are preparing to open a new Creole restaurant in the French Quarter of New Orleans. While picking mushrooms for the restaurant, Emily finds an old board, which she learns from Christian’s ex, and occult expert, Brooke () is an ancient pendulum board used in witchcraft. As she begins using the board, Emily begins to exhibit strange behaviours. Concerned for her well-being, Christian seeks Brooke’s help and she leads him to her friend and Wiccan expert Alexander Baptiste (), who has secrets of his own.

Witchboard Synopsis

Witchboard is a reimagining of the 1986 film by Keven Tenney, which marks the return to the horror genre for writer and director Chuck Russell (A Nightmare on Elm Street III: Dream Warriors, The Blob). The plot of the film focuses on a group of young restaurateurs, who find an old pendulum board, a predecessor to modern Ouija boards. The board was created by the 17th-century witch Naga Soth (), whom the protagonist Emily, played by Madison Iseman (Jumanji: Welcome to the Jungle), seems to channel when she uses the board.

witchboard

My Thoughts on Witchboard

Having not watched the original Witchboard, I cannot say whether this reimagining goes in the same new direction as Chuck Russell’s well-regarded 1988 remake of The Blob. However, the film is a passable occult horror film, with the standout being Jamie Campbell Bower (Stranger Things) as the antagonistic Alexander Baptiste. While Witchboard leaves no real lasting impression, it still makes for a fun and gory ride.

Trailer for Witchboard – Fantasia 2024

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Sean Patrick Kelly

Sean Patrick Kelly is a Toronto-based freelance film critic and blogger with a Bachelor of Arts in Cinema and Media Studies from York University. Since founding his site in 2004, Sean has shared his passion for cinema through insightful reviews and commentary. His work has also been featured in prominent outlets, including Toronto Film Scene, HuffPost Canada, Screen Anarchy, ScreenRant, and Rue Morgue Magazine.

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